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Andere literatuur
In dit onderdeel wordt relevante literatuur verzameld over de archivering en conservering van audiovisuele kunsten die niet door PACKED zelf werd geschreven. U vindt hier zowel referenties naar gedrukte als naar online publicaties; referenties naar artikels, boeken of verslagen.
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Agatha Re-Appears, net art restoration project
Auteur: Elabieta Wysocka (2008)
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Net art et institutions artistiques et muséales : problèmatiques et pratiques de la conservation
Auteur: Anne Laforet (2004)
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Collecting Born Digital Archives at the Wellcome Library
Auteurs: Chris Hilton & Dave Thompson (2007)
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The Next Stage: Moving from Isolated Digital Collections to Interoperable Digital Libraries
Auteur: Howard Besser (2002)
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Perspectives: Negotiating the Archive
Auteur: Sue Breakell (2008)
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Authenticity, Change and Loss in the Conservation of Time-Based Media Installations
Auteur: Pip Laurenson (2006)
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Audio and video carriers
Auteur: Dietrich Schüller (2008)
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The Home Film Preservation Guide
Auteurs: Jean-Louis Bigourdan, Liz Coffey en Dwight Swanson
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Permanence Through Change: The Variable Media Approach
Auteurs: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.) (2003)
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Nailing Down Bits: Digital Art and Intellectual Property
Auteur: Richard Rinehart (2006)
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The Straw that Broke the Museum's Back? Collecting and Preserving Digital Media Art Works for the Next Century
Auteur: Richard Rinehart (2000)
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Developing Strategies for the Conservation of Installations Incorporating Time-Based Media: Gary Hill's Between Cinema and a Hard Place
Auteur: Pip Laurenson (2004)
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Longevity of Electronic Art
Auteur: Howard Besser (2001)
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Does Hardware Dictate Meaning? Three Variable Media Conservation Case Studies
Auteur: Caitlin Jones (2004)
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Variable and Unstable: Preserving and Documenting our Digital Art Heritage
Auteur: Alain Depocas (2004)
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Built on Digital Sand: A Media Archaeologist Digs the Lonely Shores of Binary Obsolescence
Auteur: Bruce Sterling (2004)
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Conservation of Media Arts and Networks: Aesthetic and Ethical Considerations
Auteur: Louise Poissant (2005)
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Challenges for a Ubiquitous Museum: Presenting and Preserving New Media
Auteur: Christiane Paul (2004)
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Like a Wave Upon the Sand: Digital Preservation of Variable Media Art
Auteur: Megan Winget (2005)
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TechArchaeology: Works by James Coleman and Vito Acconci
Auteur: Timothy Vitale (2001)
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Toward Guidelines For Practice In The Preservation And Documentation Of Technology-Based Installation Art
Auteur: William A. Real (2001)
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Dara Birnbaum's Tiananmen Square: Break-In Transmission: A Case Study
Auteur: Paul Messier (2001)
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Evolving Exemplary Pluralism: Steve McQueen's Deadpan And Eija-Liisa Ahtila's Anne, Aki And God - Two Case Studies
Auteur: Mitchell Hearns Bishop (2001)
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Digital Decay
Auteur: Bruce Sterling (2003)
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Case Studies: Nam June Paik, TV Garden, 1974
Auteur: John G. Hanhardt (2003)
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Case Studies: Ken Jacobs, Bitemporal Vision: The Sea, 1994
Auteur: John Gartenberg (2003)
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Case Studies: Grahame Weinbren and Roberta Friedman, The Erl King, 1982–85
Auteur: Jeff Rothenberg (2003)
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Case Studies: Mark Napier, net.flag, 2002
Auteur: Jon Ippolito (2003)
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Keeping Time: On Collecting Film and Video Art
Auteurs: Chrissie Iles en Henriette Huldisch
In: Bruce Altshuler (ed.), Collecting the New: Museums and Contemporary Art, 2005, Princeton University Press (Princeton, NJ), p. 65-84
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Just Like Anything Else, Only Different
Auteur: Steve Dietz
In: Bruce Altshuler (ed.), Collecting the New: Museums and Contemporary Art, 2005, Princeton University Press (Princeton, NJ), p. 85-102
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The Myth Of Media Immateriality: Presenting And Preserving New Media
Auteur: Christiane Paul
In: Oliver Grau (ed.), MediaArtHistories, MIT Press (Cambridge, MA), 2007, p. 251-274
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Permanent Impermanence
Auteur: Bill Viola
In: Miguel Angel Corzo (ed.), Mortality Immortality?: The Legacy of 20th-Century Art, Getty Conservation Institute (Los Angeles, CA), 1999, p. 85-94
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The Media Arts And The Museum: Reflections On A History, 1963–1973
Auteur: John G. Hanhardt
In: Miguel Angel Corzo (ed.), Mortality Immortality?: The Legacy of 20th-Century Art, Getty Conservation Institute (Los Angeles, CA), 1999, p. 95-100
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Permanence Through Change: The Variable Media Approach
Auteurs: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.)
Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, 138 p.
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Digital Decay
Auteur: Bruce Sterling
In: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, p.…
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Case Studies: Mark Napier, net.flag, 2002
Auteur: Jon Ippolito
In: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, p.…
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Case Studies: Grahame Weinbren and Roberta Friedman, The Erl King, 1982–85
Auteur: Jeff Rothenberg
In: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, p.…
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Case Studies: Ken Jacobs, Bitemporal Vision: The Sea, 1994
Auteur: John Gartenberg
In: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, p.…
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Case Studies: Nam June Paik, TV Garden, 1974
Auteur: John G. Hanhardt
In: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003,…
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Evolving Exemplary Pluralism: Steve McQueen's Deadpan And Eija-Liisa Ahtila's Anne, Aki And God - Two Case Studies
Auteur: Mitchell Hearns Bishop
In: JAIC, American Institute for Conservation of Historic and Artistic Works (Washington, DC), 2001, Volume 40, Number 3, p. 179-191
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Dara Birnbaum's Tiananmen Square: Break-In Transmission: A Case Study
Auteur: Paul Messier
In: JAIC, American Institute for Conservation of Historic and Artistic Works (Washington, DC), 2001, Volume 40, Number 3, p. 193-209
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Toward Guidelines For Practice In The Preservation And Documentation Of Technology-Based Installation Art
Auteur: William A. Real
In: JAIC, American Institute for Conservation of Historic and Artistic Works (Washington, DC), 2001, Volume 40, Number 3, p. 211-231
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TechArchaeology: Works by James Coleman and Vito Acconci
Auteur: Timothy Vitale
In: JAIC, American Institute for Conservation of Historic and Artistic Works (Washington, DC), 2001, Volume 40, Number 3, p. 233-258
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Developing Strategies for the Conservation of Installations Incorporating Time-Based Media
Auteur: Pip Laurenson
In: JAIC, American Institute for Conservation of Historic and Artistic Works (Washington, DC), 2001, Volume 40, Number 3, p. 259-266
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Art and technology: the division fades
Auteur: Xavier Berenguer (2003)
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Reconciling interiors: The screen as installation
Auteur: James Charlton (2003)
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Digital Preservation of Moving Image Material?
Auteur: Howard Besser (2001)
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Digital Preservation of Moving Image Material?
Auteur: Howard Besser
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Fall 2001, Volume 1, Number 2, p. 39-55
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The Conservation of Contemporary Art: New Methods and Strategies?
Auteur: Ysbrand Hummelen
In: Miguel Angel Corzo (ed.), Mortality Immortality?: The Legacy of 20th-Century Art, Getty Conservation Institute (Los Angeles, CA), 1999, p. 171-174
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Museums and New Media Art
Auteur: Susan Morris (2001)
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Inside Installations: Preservation And Presentation Of Installation Art
Auteurs: Tatja Scholte en Paulien 't Hoen
Instituut Collectie Nederland (Amsterdam) en Stichting Behoud Moderne Kunst ('s-Hertogenbosch), 2007, 64 p.
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Inédits Q & A: Questions on Amateur and Small Gauge Format Film
Auteur: AMIA - The Association Of Moving Image Archivists
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Storage Standards and Guidelines for Film and Videotape
Auteur: AMIA - The Association Of Moving Image Archivists
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Video Q & A: Questions on Video Formats Preservation
Auteur: AMIA - The Association Of Moving Image Archivists
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Videotape Preservation Fact Sheets
Auteurs: Jim Wheeler, Peter Brothers en Hannah Frost (ed.)
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Videotape Preservation Handbook
Auteur: Jim Wheeler (2002)
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FAQ on Film Water Damage
Auteur: Mick Newnham
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What to Do About Home Movie Damage
Auteur: AMIA - The Association Of Moving Image Archivists (2005)
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Salvaging Flooded Videotapes
Auteur: Peter Brothers
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How To Preserve Your Films Forever
Auteur: David Walsh
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Spring 2008, Volume 8, Number 1, p. 38-41
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"Born Digital" - Raised an Orphan?: Acquiring Digital Media through an Analog Paradigm
Auteur: Dylan Cave
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Spring 2008, Volume 8, Number 1, p. 1-13
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Introduction to Bio-Fiction Classification Theory: Remix Methodologies and the Archivist
Auteur: Dino Everett
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Spring 2008, Volume 8, Number 1, p. 15-37
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The Dawn of Tape: Transmission Device as Preservation Medium
Auteur: Jeff Martin
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Spring 2005, Volume 5, Number 1, p. 45-66
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Looking at Preservation from the Digital Library Perspective
Auteur: Carl Fleischhauer
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Fall 2003, Volume 3, Number 2, p. 96-100
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Cross-over: Kunst, media en technologie in Vlaanderen
Auteur: Liesbeth Huybrechts (ed.)
LannooCampus (Leuven), 2008, 224 p.
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European Film Heritage On The Threshold Of The Digital Era: The FIRST Project's Final Report
Auteur: Nicola Mazzanti
FIRST en Koninklijk Filmarchief (Brussel), 2004, 48 p. (+ CD-ROM met Full Final Report FIRST Project)
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Playback: Preserving Analog Video
Auteur: Bay Area Video Collective
Bay Area Video Collective (San Francisco, CA), 2003, interactieve DVD
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PrestoSpace Report on video and audio tape deterioration mechanisms
Auteurs: Benoît Thiebaut, Léon-Bavi Vilmont en Bertrand Lavedrine (2006)
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Instabiele media vragen om andere manier van ontsluiten en bewaren
Auteur: Erna Slangen (2002)
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Digital Preservation of New Media Art Through Exploration of Established Symbolic Representation Systems
Auteur: Megan Winget (2005)
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Breedband en eCultuur: Een verkennende studie
Auteur: Stoffel Debuysere (2005)
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Marina Abramovic's Seven Easy Pieces: Critical Documentation Strategies for Preserving Art's History
Auteur: Jessica Santone
In: Leonardo, MIT Press (Cambridge, MA), April 2008, Volume 41, Number 2, p. 147-152
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Scoring the Work: Documenting Practice and Performance in Variable Media Art
Auteur: Corina MacDonald
In: Leonardo, MIT Press (Cambridge, MA), February 2009, Volume 42, Number 1, p. 59-63