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Noter, annoter. Comment documenter les arts de la scène à composante technologique
Auteur: Clarisse Bardiot
In: Arts Technologiques Conservation & Restauration / Media Arts, Conservation and Restoration, Art Press 2, artpress.com (Paris), Février / Mars / Avril 2009, Numéro 12, p. 30-34
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Noting / Annotating. Documenting the Technology-Based Performing Arts
Auteur: Clarisse Bardiot
In: Arts Technologiques Conservation & Restauration / Media Arts, Conservation and Restoration, Art Press 2, artpress.com (Paris), February / March / April 2009, Number 12, p. 33-37
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Permanence Through Change: The Variable Media Approach
Auteurs: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.)
Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, 138 p.
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Permanent Impermanence
Auteur: Bill Viola
In: Miguel Angel Corzo (ed.), Mortality Immortality?: The Legacy of 20th-Century Art, Getty Conservation Institute (Los Angeles, CA), 1999, p. 85-94
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Pixel und Zeile zu Frame: Baukasten zu einer Theorie der Medienerhaltung
Auteur: Johannes Gfeller
In: Hans-Jörg Heusser (ed.) en Kornelia Imesch (ed.), Visions of a future. Art and art history in changing contexts, Schweizerisches Institut für Kunstwissenschaft (Zürich), 2004, p. 207-226