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How To Preserve Your Films Forever
Auteur: David Walsh
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Spring 2008, Volume 8, Number 1, p. 38-41
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Inside Installations: Preservation And Presentation Of Installation Art
Auteurs: Tatja Scholte en Paulien 't Hoen
Instituut Collectie Nederland (Amsterdam) en Stichting Behoud Moderne Kunst ('s-Hertogenbosch), 2007, 64 p.
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Intentionality and Performance-Based Art
Auteur: Paul Schimmel
In: Miguel Angel Corzo (ed.), Mortality Immortality?: The Legacy of 20th-Century Art, Getty Conservation Institute (Los Angeles, CA), 1999, p. 165-170
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Introduction to Bio-Fiction Classification Theory: Remix Methodologies and the Archivist
Auteur: Dino Everett
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Spring 2008, Volume 8, Number 1, p. 15-37
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Issues in the Development of Teaching Curricula for the Documentation of Media Art
Auteur: Sylvie Lacerte
In: Arts Technologiques Conservation & Restauration / Media Arts, Conservation and Restoration, Art Press 2, artpress.com (Paris), February / March / April 2009, Number 12, p. 103-107