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Case Studies: Ken Jacobs, Bitemporal Vision: The Sea, 1994
Auteur: John Gartenberg
In: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, p. 86-91
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Case Studies: Mark Napier, net.flag, 2002
Auteur: Jon Ippolito
In: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, p. 108-114
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Case Studies: Nam June Paik, TV Garden, 1974
Auteur: John G. Hanhardt
In: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, p. 70-77
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Conserver les œuvres audiovisuelle. Actualité et urgence d’une question
Auteurs: Antonie Bergmeier and François Michaud
In: Arts Technologiques Conservation & Restauration / Media Arts, Conservation and Restoration, Art Press 2, artpress.com (Paris), Février / Mars / Avril 2009, Numéro 12, p. 70-80
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Conserving Technology-based Art: Issues and Solutions
Art Press 2, artpress.com (Paris), January 2009, Number 12