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Other literature
In this section relevant literature on the archiving and preservation of audiovisual arts has been collected that was not written by PACKED. You can find references to online as well as printed documents; references to articles, books or written reports.
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Agatha Re-Appears, net art restoration project
Author: Elabieta Wysocka (2008)
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Net art et institutions artistiques et muséales : problèmatiques et pratiques de la conservation
Author: Anne Laforet (2004)
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Collecting Born Digital Archives at the Wellcome Library
Authors: Chris Hilton & Dave Thompson (2007)
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The Next Stage: Moving from Isolated Digital Collections to Interoperable Digital Libraries
Author: Howard Besser (2002)
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Perspectives: Negotiating the Archive
Author: Sue Breakell (2008)
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Authenticity, Change and Loss in the Conservation of Time-Based Media Installations
Author: Pip Laurenson (2006)
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Audio and video carriers
Author: Dietrich Schüller (2008)
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The Home Film Preservation Guide
Authors: Jean-Louis Bigourdan, Liz Coffey and Dwight Swanson
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Permanence Through Change: The Variable Media Approach
Authors: Alain Depocas (ed.), Jon Ippolito (ed.) and Caitlin Jones (ed.) (2003)
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Nailing Down Bits: Digital Art and Intellectual Property
Author: Richard Rinehart (2006)
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The Straw that Broke the Museum's Back? Collecting and Preserving Digital Media Art Works for the Next Century
Author: Richard Rinehart (2000)
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Developing Strategies for the Conservation of Installations Incorporating Time-Based Media: Gary Hill's Between Cinema and a Hard Place
Author: Pip Laurenson (2004)
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Longevity of Electronic Art
Author: Howard Besser (2001)
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Does Hardware Dictate Meaning? Three Variable Media Conservation Case Studies
Author: Caitlin Jones (2004)
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Variable and Unstable: Preserving and Documenting our Digital Art Heritage
Author: Alain Depocas (2004)
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Built on Digital Sand: A Media Archaeologist Digs the Lonely Shores of Binary Obsolescence
Author: Bruce Sterling (2004)
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Conservation of Media Arts and Networks: Aesthetic and Ethical Considerations
Author: Louise Poissant (2005)
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Challenges for a Ubiquitous Museum: Presenting and Preserving New Media
Author: Christiane Paul (2004)
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Like a Wave Upon the Sand: Digital Preservation of Variable Media Art
Author: Megan Winget (2005)
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TechArchaeology: Works by James Coleman and Vito Acconci
Author: Timothy Vitale (2001)
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Toward Guidelines For Practice In The Preservation And Documentation Of Technology-Based Installation Art
Author: William A. Real (2001)
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Dara Birnbaum's Tiananmen Square: Break-In Transmission: A Case Study
Author: Paul Messier (2001)
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Evolving Exemplary Pluralism: Steve McQueen's Deadpan And Eija-Liisa Ahtila's Anne, Aki And God - Two Case Studies
Author: Mitchell Hearns Bishop (2001)
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Digital Decay
Author: Bruce Sterling (2003)
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Case Studies: Nam June Paik, TV Garden, 1974
Author: John G. Hanhardt (2003)
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Case Studies: Ken Jacobs, Bitemporal Vision: The Sea, 1994
Author: John Gartenberg (2003)
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Case Studies: Grahame Weinbren and Roberta Friedman, The Erl King, 1982–85
Author: Jeff Rothenberg (2003)
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Case Studies: Mark Napier, net.flag, 2002
Author: Jon Ippolito (2003)
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Keeping Time: On Collecting Film and Video Art
Authors: Chrissie Iles en Henriette Huldisch
In: Bruce Altshuler (ed.), Collecting the New: Museums and Contemporary Art, 2005, Princeton University Press (Princeton, NJ), pp. 65-84
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Just Like Anything Else, Only Different
Author: Steve Dietz
In: Bruce Altshuler (ed.), Collecting the New: Museums and Contemporary Art, 2005, Princeton University Press (Princeton, NJ), pp. 85-102
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The Myth Of Media Immateriality: Presenting And Preserving New Media
Author: Christiane Paul
In: Oliver Grau (ed.), MediaArtHistories, MIT Press (Cambridge, MA), 2007, pp. 251-274
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Permanent Impermanence
Author: Bill Viola
In: Miguel Angel Corzo (ed.), Mortality Immortality?: The Legacy of 20th-Century Art, Getty Conservation Institute (Los Angeles, CA), 1999, p. 85-94
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The Media Arts And The Museum: Reflections On A History, 1963–1973
Author: John G. Hanhardt
In: Miguel Angel Corzo (ed.), Mortality Immortality?: The Legacy of 20th-Century Art, Getty Conservation Institute (Los Angeles, CA), 1999, pp. 95-100
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Permanence Through Change: The Variable Media Approach
Authors: Alain Depocas (ed.), Jon Ippolito (ed.) and Caitlin Jones (ed.)
Guggenheim Museum Publications (New York) and The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, 138 p.
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Digital Decay
Author: Bruce Sterling
In: Alain Depocas (ed.), Jon Ippolito (ed.) en Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, pp.…
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Case Studies: Mark Napier, net.flag, 2002
Author: Jon Ippolito
In: Alain Depocas (ed.), Jon Ippolito (ed.) and Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, pp.…
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Case Studies: Grahame Weinbren and Roberta Friedman, The Erl King, 1982–85
Authors: Jeff Rothenberg
In: Alain Depocas (ed.), Jon Ippolito (ed.) and Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, pp.…
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Case Studies: Ken Jacobs, Bitemporal Vision: The Sea, 1994
Author: John Gartenberg
In: Alain Depocas (ed.), Jon Ippolito (ed.) and Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003, pp.…
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Case Studies: Nam June Paik, TV Garden, 1974
Author: John G. Hanhardt
In: Alain Depocas (ed.), Jon Ippolito (ed.) and Caitlin Jones (ed.), Permanence Through Change: The Variable Media Approach, Guggenheim Museum Publications (New York) en The Daniel Langlois Foundation for Art, Science, and Technology (Montreal), 2003,…
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Evolving Exemplary Pluralism: Steve McQueen's Deadpan And Eija-Liisa Ahtila's Anne, Aki And God - Two Case Studies
Author: Mitchell Hearns Bishop
In: JAIC, American Institute for Conservation of Historic and Artistic Works (Washington, DC), 2001, Volume 40, Number 3, pp. 179-191
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Dara Birnbaum's Tiananmen Square: Break-In Transmission: A Case Study
Author: Paul Messier
In: JAIC, American Institute for Conservation of Historic and Artistic Works (Washington, DC), 2001, Volume 40, Number 3, pp. 193-209
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Toward Guidelines For Practice In The Preservation And Documentation Of Technology-Based Installation Art
Author: William A. Real
In: JAIC, American Institute for Conservation of Historic and Artistic Works (Washington, DC), 2001, Volume 40, Number 3, pp. 211-231
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TechArchaeology: Works by James Coleman and Vito Acconci
Author: Timothy Vitale
In: JAIC, American Institute for Conservation of Historic and Artistic Works (Washington, DC), 2001, Volume 40, Number 3, pp. 233-258
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Developing Strategies for the Conservation of Installations Incorporating Time-Based Media
Author: Pip Laurenson
In: JAIC, American Institute for Conservation of Historic and Artistic Works (Washington, DC), 2001, Volume 40, Number 3, pp. 259-266
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Art and technology: the division fades
Author: Xavier Berenguer (2003)
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Reconciling interiors: The screen as installation
Author: James Charlton (2003)
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Digital Preservation of Moving Image Material?
Authot: Howard Besser (2001)
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Digital Preservation of Moving Image Material?
Author: Howard Besser
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Fall 2001, Volume 1, Number 2, pp. 39-55
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The Conservation of Contemporary Art: New Methods and Strategies?
Author: Ysbrand Hummelen
In: Miguel Angel Corzo (ed.), Mortality Immortality?: The Legacy of 20th-Century Art, Getty Conservation Institute (Los Angeles, CA), 1999, pp. 171-174
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Museums and New Media Art
Author: Susan Morris (2001)
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Inside Installations: Preservation And Presentation Of Installation Art
Auteurs: Tatja Scholte and Paulien 't Hoen
Instituut Collectie Nederland (Amsterdam) and Stichting Behoud Moderne Kunst ('s-Hertogenbosch), 2007, 64 p.
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Inédits Q & A: Questions on Amateur and Small Gauge Format Film
Author: AMIA - The Association Of Moving Image Archivists
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Storage Standards and Guidelines for Film and Videotape
Author: AMIA - The Association Of Moving Image Archivists
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Video Q & A: Questions on Video Formats Preservation
Author: AMIA - The Association Of Moving Image Archivists
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Videotape Preservation Fact Sheets
Authors: Jim Wheeler, Peter Brothers and Hannah Frost (ed.)
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Videotape Preservation Handbook
Author: Jim Wheeler (2002)
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FAQ on Film Water Damage
Author: Mick Newnham
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What to Do About Home Movie Damage
Author: AMIA - The Association Of Moving Image Archivists (2005)
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Salvaging Flooded Videotapes
Author: Peter Brothers
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How To Preserve Your Films Forever
Author: David Walsh
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Spring 2008, Volume 8, Number 1, pp. 38-41
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"Born Digital" - Raised an Orphan?: Acquiring Digital Media through an Analog Paradigm
Author: Dylan Cave
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Spring 2008, Volume 8, Number 1, pp. 1-13
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Introduction to Bio-Fiction Classification Theory: Remix Methodologies and the Archivist
Author: Dino Everett
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Spring 2008, Volume 8, Number 1, pp. 15-37
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The Dawn of Tape: Transmission Device as Preservation Medium
Auteur: Jeff Martin
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Spring 2005, Volume 5, Number 1, pp. 45-66
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Looking at Preservation from the Digital Library Perspective
Author: Carl Fleischhauer
In: The Moving Image, University of Minnesota Press (Minneapolis, MN), Fall 2003, Volume 3, Number 2, pp. 96-100
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Cross-over: Kunst, media en technologie in Vlaanderen
Author: Liesbeth Huybrechts (ed.)
LannooCampus (Leuven), 2008, 224 p.
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European Film Heritage On The Threshold Of The Digital Era: The FIRST Project's Final Report
Author: Nicola Mazzanti
FIRST and Koninklijk Filmarchief (Brussel), 2004, 48 p. (+ CD-ROM with Full Final Report FIRST Project)
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Playback: Preserving Analog Video
Author: Bay Area Video Collective
Bay Area Video Collective (San Francisco, CA), 2003, interactieve DVD
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PrestoSpace Report on video and audio tape deterioration mechanisms
Authors: Benoît Thiebaut, Léon-Bavi Vilmont and Bertrand Lavedrine (2006)
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Instabiele media vragen om andere manier van ontsluiten en bewaren
Author: Erna Slangen (2002)
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Digital Preservation of New Media Art Through Exploration of Established Symbolic Representation Systems
Author: Megan Winget (2005)
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Breedband en eCultuur: Een verkennende studie
Author: Stoffel Debuysere (2005)
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Marina Abramovic's Seven Easy Pieces: Critical Documentation Strategies for Preserving Art's History
Author: Jessica Santone
In: Leonardo, MIT Press (Cambridge, MA), April 2008, Volume 41, Number 2, pp. 147-152
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Scoring the Work: Documenting Practice and Performance in Variable Media Art
Author: Corina MacDonald
In: Leonardo, MIT Press (Cambridge, MA), February 2009, Volume 42, Number 1, pp. 59-63