Interview with David Claerbout

Studio David Claerbout, Antwerp (February 25 2009).

Since the end of 1996, David Claerbout (born in 1969 in Kortrijk, Belgium) has been creating a body of work that tacks between still and moving images, photographic and digital techniques, and animation and digital image manipulation.

Influenced by phenomenology, David Claerbout investigates our visual perception and memory. In an attempt to convey reality, his work investigates the boundaries of all forms of visual reproduction.

Barbara Dierickx and Rony Vissers of PACKED spoke with the artist about the documentation of his work and his personal contribution to its preservation.

David Claerbout, Ruurlo, Bocurloscheweg 1910, 1997 (c) MuHKA


Interview with Manon de Boer

Greenwich, Brussels (18/9/08) and e-mail correspondence (12/6/09 and 1/7/09)

Manon de Boer (Kodaicanal, India, 1966) lives and works in Brussels. Since the mid-1990s, she has been using film, video and sound to create a body of work in which time, history and subjectivity are the central themes. In her film and video work, she plays with the conventions of film language and with the functioning of images within a narrative framework.

Barbara Dierickx and Rony Vissers1 of PACKED spoke with her about the documentation and conservation of her work.


Interview with Ramon Coelho (part 1/2)

Nederlands Instituut voor Mediakunst, Amsterdam (23/4/2009)

Ramon Coelho works at the Nederlands Instituut voor Mediakunst–Montevideo/Time-Based Arts (NIMk)1 in Amsterdam, where he is responsible for postproduction and conservation.

In connection with a digitisation assignment that is part of the research project entitled ‘Preservation and Access to Multimedia Data in Flanders (BOM-Vl),2 PACKED coordinator Rony Vissers talked to him about the digitisation and conservation of video art and documents.

This is the first part of the interview.


Interview with Ramon Coelho (part 2/2)

Nederlands Instituut voor Mediakunst, Amsterdam (23/04/09)

Ramon Coelho works at the Nederlands Instituut voor Mediakunst–Montevideo/Time-Based Arts (NIMk))1 in Amsterdam, where he is responsible for postproduction and conservation.

In connection with a digitisation assignment that is part of the research project entitled ‘Preservation and Access to Multimedia Data in Flanders (BOM-Vl),2 PACKED coordinator Rony Vissers talked to him about the digitisation and conservation of video art and documents.

This is the second part of the interview.


Interview with Sara Tucker

Dia Art Foundation, New York (April 6 2009).

Founded in 1974, the New-York based Dia Art Foundation is internationally renowned for initiating, supporting, presenting, and preserving art projects. Dia is an important forum for cross-disciplinary art and for art criticism in the international art world.

Sara Tucker, together with curator Lynne Cooke, has been responsible for Dia's web projects since the series began in 1995. She began working at Dia at the end of 1990 after studying German and film. At the time there was only one computer in the institution. Today she is not only responsible for the production of the web projects, but is also Dia’s Information Technology Manager. PACKED collaborator Rony Vissers spoke with her.

met de steun van de vlaamse overheid

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